Suzuki Talent Education Program

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History of the Suzuki Theory


Following World War II, Dr. Shinichi Suzuki developed the theory that all children can be educated by the mother tongue method of learning. Children learn their native language with ease at a tender young age. Why not apply this procedure to learning a musical instrument? Dr. Masaaki Honda, in propounding this theory said, "If they can speak and understand such difficult things as language, they surely must have the abilities for performing high arts if these are also developed at a tender age." "The general concept of the word 'talent' was that of a particular faculty with which one is naturally endowed. Talent education is based on the assumption that humans are born with a very high potential for development. Talent education applies to more than knowledge of technical skill but also morality, building of character, and appreciating beauty. We know that these are human attributes acquired by education and environment. Thus our [Suzuki] movement is not concerned with raising so-called prodigies, nor does it intend to emphasize just early development. We must express it as a total human education."

The Suzuki approach exposes your child to the art of music as a creative and rewarding experience. Nevada School of the Arts offers this successful method for cello, flute, piano, violin, and viola study, taught by certified Suzuki instructors.

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Our Program


The Suzuki Talent Education Program starts by enrolling in a music class for Young Children and Parents (non- instrument specific). Suzuki students enrolled in the Nevada School of the Arts Suzuki program must attend all group workshops in addition to their weekly private lesson. The program offers opportunities for outside performances and participation in local competitions and festivals upon the instructor’s recommendation. Enrollment in the Suzuki Talent Education Program entitles the student to Book Exams, for which students receive special trophies after the successful completion of the book repertoire and examinations, the annual Awards Recital and participation in workshops with guest clinicians. Students also have the privilege of working with highly-trained staff accompanists at a nominal cost for recitals and competitions and free-of-charge during workshops and performances.